chromary
Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryGlow StickCH 0300 · #4CF53D
SecondaryPure BlueCH 0109 · #0203E2

Tertiary

TertiarySoft LaunchCH 0595 · #ECD0CB
Tertiary≈ Taupe#AB827F
Tertiary≈ Umber#7A5653
TertiaryEspressoCH 0092 · #4B2E2B

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralClayCH 0170 · #52443D
NeutralMushroomCH 0572 · #877F73
NeutralPebbleCH 0567 · #ABABAB
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ GreigeAn unnamed color. Its nearest named color is Greige #C5BCB0.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#DFB1AD set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Charcoal on #DFB1AD#DFB1ADSet in Charcoal on #DFB1AD, a line of text reads cleanly at this size.
Body textLc 66 · 9.8:1 WCAG AAA
#DFB1AD on Charcoal#DFB1ADSet in #DFB1AD on Charcoal, a line of text reads cleanly at this size.
Body textLc 65 · 9.8:1 WCAG AAA
#DFB1AD on Espresso#DFB1ADSet in #DFB1AD on Espresso, a line of text reads cleanly at this size.
Headlines and large textLc 59 · 6.3:1 WCAG AA
Espresso on #DFB1AD#DFB1ADSet in Espresso on #DFB1AD, a line of text reads cleanly at this size.
Headlines and large textLc 59 · 6.3:1 WCAG AA
#DFB1AD on Clay#DFB1ADSet in #DFB1AD on Clay, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 4.8:1 WCAG AA
Clay on #DFB1AD#DFB1ADSet in Clay on #DFB1AD, a line of text reads cleanly at this size.
Headlines and large textLc 53 · 4.8:1 WCAG AA

For every eye: Charcoal on #DFB1ADThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Charcoal still stands clearly off #DFB1AD in all four, the pairing reads for everyone.

#DFB1AD
Red-blind (protanopia)
#DFB1AD
Green-blind (deuteranopia)
#DFB1AD
Blue-blind (tritanopia)
#DFB1AD
No color (achromatopsia)