chromary
Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryFuchsiaCH 0503 · #9B28DF
SecondaryRoseCH 0022 · #F33A6A

Tertiary

TertiaryCherry BlossomCH 0549 · #E8C0DB
Tertiary≈ Rose Pink#AE70A1
Tertiary≈ Plum#7B4470
Tertiary≈ Damson#4B1B43

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralIronCH 0562 · #383838
NeutralTaupeCH 0100 · #8B8589
NeutralDustCH 0568 · #C4C4C4
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#E49FD5 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #E49FD5#E49FD5Set in Ink on #E49FD5, a line of text reads cleanly at this size.
Body textLc 63 · 9.5:1 WCAG AAA
#E49FD5 on Ink#E49FD5Set in #E49FD5 on Ink, a line of text reads cleanly at this size.
Body textLc 62 · 9.5:1 WCAG AAA
Damson on #E49FD5#E49FD5Set in Damson on #E49FD5, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.6:1 WCAG AA
#E49FD5 on Damson#E49FD5Set in #E49FD5 on Damson, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.6:1 WCAG AA
#E49FD5 on Iron#E49FD5Set in #E49FD5 on Iron, a line of text reads cleanly at this size.
Headlines and large textLc 55 · 5.7:1 WCAG AA
Iron on #E49FD5#E49FD5Set in Iron on #E49FD5, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.7:1 WCAG AA

For every eye: Ink on #E49FD5The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #E49FD5 in all four, the pairing reads for everyone.

#E49FD5
Red-blind (protanopia)
#E49FD5
Green-blind (deuteranopia)
#E49FD5
Blue-blind (tritanopia)
#E49FD5
No color (achromatopsia)