chromary

≈ LilacText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryElectric VioletCH 0468 · #7C3EF1
SecondaryHot PinkCH 0025 · #FF1493

Tertiary

TertiaryPink LilacCH 0514 · #E2C1E7
Tertiary≈ Amethyst#A26EA7
Tertiary≈ Deep Orchid#724376
TertiaryEggplantCH 0090 · #3D0C3F

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralIronCH 0562 · #383838
NeutralTaupeCH 0100 · #8B8589
NeutralDustCH 0568 · #C4C4C4
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#D59BDA set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #D59BDA#D59BDASet in Ink on #D59BDA, a line of text reads cleanly at this size.
Body textLc 60 · 8.9:1 WCAG AAA
#D59BDA on Ink#D59BDASet in #D59BDA on Ink, a line of text reads cleanly at this size.
Headlines and large textLc 58 · 8.9:1 WCAG AAA
Eggplant on #D59BDA#D59BDASet in Eggplant on #D59BDA, a line of text reads cleanly at this size.
Headlines and large textLc 56 · 7.2:1 WCAG AAA
#D59BDA on Eggplant#D59BDASet in #D59BDA on Eggplant, a line of text reads cleanly at this size.
Headlines and large textLc 55 · 7.2:1 WCAG AAA
Iron on #D59BDA#D59BDASet in Iron on #D59BDA, a line of text reads cleanly at this size.
Headlines and large textLc 51 · 5.3:1 WCAG AA
#D59BDA on Iron#D59BDASet in #D59BDA on Iron, a line of text reads cleanly at this size.
Headlines and large textLc 51 · 5.3:1 WCAG AA

For every eye: Ink on #D59BDAThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #D59BDA in all four, the pairing reads for everyone.

#D59BDA
Red-blind (protanopia)
#D59BDA
Green-blind (deuteranopia)
#D59BDA
Blue-blind (tritanopia)
#D59BDA
No color (achromatopsia)