chromary

≈ LilacText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryLemonCH 0040 · #FFF44F
SecondaryAquaCH 0066 · #00FFFF
Secondary≈ Electric Violet#6926F3

Tertiary

TertiaryGuavaCH 0154 · #E8C4C2
TertiaryMochaCH 0096 · #967969
TertiaryUmberCH 0095 · #635147
TertiaryEspressoCH 0092 · #4B2E2B

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralClayCH 0170 · #52443D
NeutralCementCH 0566 · #929292
NeutralPebbleCH 0567 · #ABABAB
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#D2A6A7 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Charcoal on #D2A6A7#D2A6A7Set in Charcoal on #D2A6A7, a line of text reads cleanly at this size.
Body textLc 60 · 8.7:1 WCAG AAA
#D2A6A7 on Charcoal#D2A6A7Set in #D2A6A7 on Charcoal, a line of text reads cleanly at this size.
Headlines and large textLc 59 · 8.7:1 WCAG AAA
Espresso on #D2A6A7#D2A6A7Set in Espresso on #D2A6A7, a line of text reads cleanly at this size.
Headlines and large textLc 53 · 5.6:1 WCAG AA
#D2A6A7 on Espresso#D2A6A7Set in #D2A6A7 on Espresso, a line of text reads cleanly at this size.
Headlines and large textLc 53 · 5.6:1 WCAG AA
#D2A6A7 on Clay#D2A6A7Set in #D2A6A7 on Clay, a line of text reads cleanly at this size.
Headlines and large textLc 47 · 4.3:1 WCAG AA large
Clay on #D2A6A7#D2A6A7Set in Clay on #D2A6A7, a line of text reads cleanly at this size.
Headlines and large textLc 47 · 4.3:1 WCAG AA large

For every eye: Charcoal on #D2A6A7The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Charcoal still stands clearly off #D2A6A7 in all four, the pairing reads for everyone.

#D2A6A7
Red-blind (protanopia)
#D2A6A7
Green-blind (deuteranopia)
#D2A6A7
Blue-blind (tritanopia)
#D2A6A7
No color (achromatopsia)