chromary
Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryFuchsiaCH 0503 · #9B28DF
SecondaryHot PinkCH 0025 · #FF1493

Tertiary

TertiaryLittle TreatCH 0601 · #F8CDDF
TertiaryTaupeCH 0100 · #8B8589
Tertiary≈ Shale#6B5368
Tertiary≈ Espresso#3E293B

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralAsphaltCH 0007 · #434449
NeutralStaticCH 0008 · #737479
NeutralPebbleCH 0567 · #ABABAB
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#D0B1CC set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #D0B1CC#D0B1CCSet in Ink on #D0B1CC, a line of text reads cleanly at this size.
Body textLc 66 · 10.1:1 WCAG AAA
#D0B1CC on Ink#D0B1CCSet in #D0B1CC on Ink, a line of text reads cleanly at this size.
Body textLc 65 · 10.1:1 WCAG AAA
Espresso on #D0B1CC#D0B1CCSet in Espresso on #D0B1CC, a line of text reads cleanly at this size.
Body textLc 60 · 6.8:1 WCAG AA
#D0B1CC on Espresso#D0B1CCSet in #D0B1CC on Espresso, a line of text reads cleanly at this size.
Body textLc 60 · 6.8:1 WCAG AA
#D0B1CC on Asphalt#D0B1CCSet in #D0B1CC on Asphalt, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.0:1 WCAG AA
Asphalt on #D0B1CC#D0B1CCSet in Asphalt on #D0B1CC, a line of text reads cleanly at this size.
Headlines and large textLc 53 · 5.0:1 WCAG AA

For every eye: Ink on #D0B1CCThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #D0B1CC in all four, the pairing reads for everyone.

#D0B1CC
Red-blind (protanopia)
#D0B1CC
Green-blind (deuteranopia)
#D0B1CC
Blue-blind (tritanopia)
#D0B1CC
No color (achromatopsia)