chromary

≈ LilacText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryYolkCH 0228 · #FAC45A
SecondaryAuroraCH 0336 · #44EDC3
SecondaryUltramarineCH 0080 · #3F00FF

Tertiary

TertiaryRose QuartzCH 0547 · #D9C8D3
TertiaryTaupeCH 0100 · #8B8589
TertiaryUmberCH 0095 · #635147
TertiaryEspressoCH 0092 · #4B2E2B

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralAsphaltCH 0007 · #434449
NeutralStaticCH 0008 · #737479
NeutralPebbleCH 0567 · #ABABAB
NeutralPink MilkCH 0556 · #F5E7EC
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#CDA9B5 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Charcoal on #CDA9B5#CDA9B5Set in Charcoal on #CDA9B5, a line of text reads cleanly at this size.
Body textLc 61 · 8.8:1 WCAG AAA
#CDA9B5 on Charcoal#CDA9B5Set in #CDA9B5 on Charcoal, a line of text reads cleanly at this size.
Body textLc 60 · 8.8:1 WCAG AAA
Espresso on #CDA9B5#CDA9B5Set in Espresso on #CDA9B5, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.7:1 WCAG AA
#CDA9B5 on Espresso#CDA9B5Set in #CDA9B5 on Espresso, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.7:1 WCAG AA
#CDA9B5 on Asphalt#CDA9B5Set in #CDA9B5 on Asphalt, a line of text reads cleanly at this size.
Headlines and large textLc 49 · 4.5:1 WCAG AA
Asphalt on #CDA9B5#CDA9B5Set in Asphalt on #CDA9B5, a line of text reads cleanly at this size.
Headlines and large textLc 49 · 4.5:1 WCAG AA

For every eye: Charcoal on #CDA9B5The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Charcoal still stands clearly off #CDA9B5 in all four, the pairing reads for everyone.

#CDA9B5
Red-blind (protanopia)
#CDA9B5
Green-blind (deuteranopia)
#CDA9B5
Blue-blind (tritanopia)
#CDA9B5
No color (achromatopsia)