chromary

≈ LilacText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

Secondary≈ Ultramarine#5823F0
SecondaryFlamingo PopCH 0545 · #F74ED2

Tertiary

TertiarySweet PeaCH 0513 · #D6C6E7
Tertiary≈ Mauve Dust#937BA2
Tertiary≈ Shale#644F71
Tertiary≈ Graphite#392744

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralIronCH 0562 · #383838
NeutralTaupeCH 0100 · #8B8589
NeutralSilverCH 0578 · #A5AFBA
NeutralPink MistCH 0519 · #EFE8F5
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#C4AAD5 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #C4AAD5#C4AAD5Set in Ink on #C4AAD5, a line of text reads cleanly at this size.
Body textLc 62 · 9.4:1 WCAG AAA
#C4AAD5 on Ink#C4AAD5Set in #C4AAD5 on Ink, a line of text reads cleanly at this size.
Body textLc 61 · 9.4:1 WCAG AAA
Graphite on #C4AAD5#C4AAD5Set in Graphite on #C4AAD5, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.4:1 WCAG AA
#C4AAD5 on Graphite#C4AAD5Set in #C4AAD5 on Graphite, a line of text reads cleanly at this size.
Headlines and large textLc 56 · 6.4:1 WCAG AA
#C4AAD5 on Iron#C4AAD5Set in #C4AAD5 on Iron, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.6:1 WCAG AA
Iron on #C4AAD5#C4AAD5Set in Iron on #C4AAD5, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 5.6:1 WCAG AA

For every eye: Ink on #C4AAD5The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #C4AAD5 in all four, the pairing reads for everyone.

#C4AAD5
Red-blind (protanopia)
#C4AAD5
Green-blind (deuteranopia)
#C4AAD5
Blue-blind (tritanopia)
#C4AAD5
No color (achromatopsia)