chromary

≈ Pink OrchidText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryUltramarineCH 0080 · #3F00FF
SecondaryFlamingo PopCH 0545 · #F74ED2

Tertiary

TertiaryFuchsia IceCH 0515 · #DEBFFA
TertiaryAmethystCH 0085 · #9966CC
Tertiary≈ Byzantium#664183
Tertiary≈ Eggplant#3D1A54

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralIronCH 0562 · #383838
NeutralAshCH 0565 · #7A7A7A
NeutralDustCH 0568 · #C4C4C4
NeutralPink MistCH 0519 · #EFE8F5
claim its number≈ Pink OrchidAn unnamed color. Its nearest named color is Pink Orchid #B08DD0.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#C296E7 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #C296E7#C296E7Set in Ink on #C296E7, a line of text reads cleanly at this size.
Headlines and large textLc 56 · 8.2:1 WCAG AAA
#C296E7 on Ink#C296E7Set in #C296E7 on Ink, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 8.2:1 WCAG AAA
Eggplant on #C296E7#C296E7Set in Eggplant on #C296E7, a line of text reads cleanly at this size.
Headlines and large textLc 51 · 5.9:1 WCAG AA
#C296E7 on Eggplant#C296E7Set in #C296E7 on Eggplant, a line of text reads cleanly at this size.
Headlines and large textLc 50 · 5.9:1 WCAG AA
Iron on #C296E7#C296E7Set in Iron on #C296E7, a line of text reads cleanly at this size.
Headlines and large textLc 48 · 4.9:1 WCAG AA
#C296E7 on Iron#C296E7Set in #C296E7 on Iron, a line of text reads cleanly at this size.
Headlines and large textLc 47 · 4.9:1 WCAG AA

For every eye: Ink on #C296E7The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #C296E7 in all four, the pairing reads for everyone.

#C296E7
Red-blind (protanopia)
#C296E7
Green-blind (deuteranopia)
#C296E7
Blue-blind (tritanopia)
#C296E7
No color (achromatopsia)