chromary

≈ LilacText: auto, black, whichever reads better. Tap for white.

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

Secondary≈ Electric Violet#6E23F0
SecondaryDopamineCH 0593 · #FF3EA5

Tertiary

TertiaryMauve MistCH 0512 · #D7C8D9
TertiaryTaupeCH 0100 · #8B8589
Tertiary≈ Umber#624F66
TertiaryGraphiteCH 0006 · #2B2B2E

Neutrals

NeutralInkCH 0003 · #0B0B0F
NeutralIronCH 0562 · #383838
NeutralStaticCH 0008 · #737479
NeutralPebbleCH 0567 · #ABABAB
NeutralMilkCH 0570 · #F2F2F2
claim its number≈ LilacAn unnamed color. Its nearest named color is Lilac #C8A2C8.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#BFA8C5 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Ink on #BFA8C5#BFA8C5Set in Ink on #BFA8C5, a line of text reads cleanly at this size.
Body textLc 60 · 9.0:1 WCAG AAA
#BFA8C5 on Ink#BFA8C5Set in #BFA8C5 on Ink, a line of text reads cleanly at this size.
Headlines and large textLc 59 · 9.0:1 WCAG AAA
Graphite on #BFA8C5#BFA8C5Set in Graphite on #BFA8C5, a line of text reads cleanly at this size.
Headlines and large textLc 55 · 6.4:1 WCAG AA
#BFA8C5 on Graphite#BFA8C5Set in #BFA8C5 on Graphite, a line of text reads cleanly at this size.
Headlines and large textLc 55 · 6.4:1 WCAG AA
#BFA8C5 on Iron#BFA8C5Set in #BFA8C5 on Iron, a line of text reads cleanly at this size.
Headlines and large textLc 51 · 5.3:1 WCAG AA
Iron on #BFA8C5#BFA8C5Set in Iron on #BFA8C5, a line of text reads cleanly at this size.
Headlines and large textLc 51 · 5.3:1 WCAG AA

For every eye: Ink on #BFA8C5The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Ink still stands clearly off #BFA8C5 in all four, the pairing reads for everyone.

#BFA8C5
Red-blind (protanopia)
#BFA8C5
Green-blind (deuteranopia)
#BFA8C5
Blue-blind (tritanopia)
#BFA8C5
No color (achromatopsia)