chromary

≈ Caramel

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

Secondary≈ Sky#35CDF9
Secondary≈ Ultramarine#5C28F3

Tertiary

TertiaryCamelCH 0098 · #C19A6B
TertiaryCornsilkCH 0226 · #E7CA95
TertiaryBurnt CaramelCH 0126 · #7B5804
Tertiary≈ Espresso#512C00

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralIronCH 0562 · #383838
NeutralMushroomCH 0572 · #877F73
NeutralDustCH 0568 · #C4C4C4
NeutralPaperCH 0012 · #EEF2E6

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#B47D2D set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Paper on #B47D2D#B47D2DSet in Paper on #B47D2D, a line of text reads cleanly at this size.
Headlines and large textLc 58 · 3.1:1 WCAG AA large
#B47D2D on Paper#B47D2DSet in #B47D2D on Paper, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 3.1:1 WCAG AA large
Charcoal on #B47D2D#B47D2D
Display sizesLc 40 · 5.2:1 WCAG AA
#B47D2D on Charcoal#B47D2D
Display sizesLc 38 · 5.2:1 WCAG AA
Cornsilk on #B47D2D#B47D2D
Display sizesLc 37 · 2.2:1 fails WCAG
#B47D2D on Cornsilk#B47D2D
Display sizesLc 34 · 2.2:1 fails WCAG

For every eye: Paper on #B47D2DThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Paper still stands clearly off #B47D2D in all four, the pairing reads for everyone.

#B47D2D
Red-blind (protanopia)
#B47D2D
Green-blind (deuteranopia)
#B47D2D
Blue-blind (tritanopia)
#B47D2D
No color (achromatopsia)