chromary
Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryAquaCH 0066 · #00FFFF
SecondaryUltramarineCH 0080 · #3F00FF
SecondaryRoseCH 0022 · #F33A6A

Tertiary

TertiaryQuiet LuxuryCH 0594 · #B8A48B
TertiaryChampagneCH 0259 · #D4CFB2
TertiaryBurnt CaramelCH 0126 · #7B5804
Tertiary≈ Espresso#433810

Neutrals

NeutralPanelCH 0004 · #12160D
NeutralField GreyCH 0241 · #4A483D
NeutralMushroomCH 0572 · #877F73
NeutralGreigeCH 0574 · #C5BCB0
NeutralPaperCH 0012 · #EEF2E6
claim its number≈ CamoAn unnamed color. Its nearest named color is Camo #7F8F4E.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#9A8C5D set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Paper on #9A8C5D#9A8C5DSet in Paper on #9A8C5D, a line of text reads cleanly at this size.
Headlines and large textLc 56 · 2.9:1 fails WCAG
#9A8C5D on Paper#9A8C5DSet in #9A8C5D on Paper, a line of text reads cleanly at this size.
Headlines and large textLc 52 · 2.9:1 fails WCAG
Aqua on #9A8C5D#9A8C5DSet in Aqua on #9A8C5D, a line of text reads cleanly at this size.
Headlines and large textLc 50 · 2.6:1 fails WCAG
#9A8C5D on Aqua#9A8C5DSet in #9A8C5D on Aqua, a line of text reads cleanly at this size.
Headlines and large textLc 46 · 2.6:1 fails WCAG
Panel on #9A8C5D#9A8C5D
Display sizesLc 42 · 5.4:1 WCAG AA
#9A8C5D on Panel#9A8C5D
Display sizesLc 40 · 5.4:1 WCAG AA

For every eye: Paper on #9A8C5DThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Paper still stands clearly off #9A8C5D in all four, the pairing reads for everyone.

#9A8C5D
Red-blind (protanopia)
#9A8C5D
Green-blind (deuteranopia)
#9A8C5D
Blue-blind (tritanopia)
#9A8C5D
No color (achromatopsia)