chromary
Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

SecondaryElectric LemonCH 0270 · #EFF746
SecondaryAuroraCH 0336 · #44EDC3

Tertiary

TertiaryKiwiCH 0292 · #72B16C
TertiaryPale SageCH 0296 · #B7D9B3
Tertiary≈ Olive#266C2E
TertiaryForestCH 0061 · #0B3D20

Neutrals

NeutralPanelCH 0004 · #12160D
NeutralIronCH 0562 · #383838
NeutralMushroomCH 0572 · #877F73
NeutralDustCH 0568 · #C4C4C4
NeutralPaperCH 0012 · #EEF2E6
claim its number≈ JadeAn unnamed color. Its nearest named color is Jade #00A86B.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#4C9752 set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Paper on #4C9752#4C9752Set in Paper on #4C9752, a line of text reads cleanly at this size.
Headlines and large textLc 59 · 3.1:1 WCAG AA large
#4C9752 on Paper#4C9752Set in #4C9752 on Paper, a line of text reads cleanly at this size.
Headlines and large textLc 54 · 3.1:1 WCAG AA large
Panel on #4C9752#4C9752
Display sizesLc 39 · 5.1:1 WCAG AA
Pale Sage on #4C9752#4C9752
Display sizesLc 38 · 2.3:1 fails WCAG
#4C9752 on Panel#4C9752
Display sizesLc 37 · 5.1:1 WCAG AA
#4C9752 on Pale Sage#4C9752
Display sizesLc 35 · 2.3:1 fails WCAG

For every eye: Paper on #4C9752The strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Paper still stands clearly off #4C9752 in all four, the pairing reads for everyone.

#4C9752
Red-blind (protanopia)
#4C9752
Green-blind (deuteranopia)
#4C9752
Blue-blind (tritanopia)
#4C9752
No color (achromatopsia)