chromary

≈ Espresso

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

Secondary≈ Cyan Blue#32C1F7
SecondaryDeep SeaCH 0070 · #0B3D5C

Tertiary

TertiaryUmberCH 0095 · #635147
TertiaryMochaCH 0096 · #967969
TertiarySunburnCH 0182 · #B39888
TertiaryCantaloupeCH 0189 · #E7C5BA

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralIronCH 0562 · #383838
NeutralCementCH 0566 · #929292
NeutralPebbleCH 0567 · #ABABAB
NeutralChalkCH 0013 · #F4F4F0
claim its number≈ EspressoAn unnamed color. Its nearest named color is Espresso #4B2E2B.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#4B250E set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Chalk on #4B250E#4B250ESet in Chalk on #4B250E, a line of text reads cleanly at this size.
Any textLc 95 · 12.1:1 WCAG AAA
#4B250E on Chalk#4B250ESet in #4B250E on Chalk, a line of text reads cleanly at this size.
Any textLc 92 · 12.1:1 WCAG AAA
Cantaloupe on #4B250E#4B250ESet in Cantaloupe on #4B250E, a line of text reads cleanly at this size.
Body textLc 70 · 8.3:1 WCAG AAA
#4B250E on Cantaloupe#4B250ESet in #4B250E on Cantaloupe, a line of text reads cleanly at this size.
Body textLc 70 · 8.3:1 WCAG AAA
#4B250E on Cyan Blue#4B250ESet in #4B250E on Cyan Blue, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.4:1 WCAG AA
Cyan Blue on #4B250E#4B250ESet in Cyan Blue on #4B250E, a line of text reads cleanly at this size.
Headlines and large textLc 56 · 6.4:1 WCAG AA

For every eye: Chalk on #4B250EThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Chalk still stands clearly off #4B250E in all four, the pairing reads for everyone.

#4B250E
Red-blind (protanopia)
#4B250E
Green-blind (deuteranopia)
#4B250E
Blue-blind (tritanopia)
#4B250E
No color (achromatopsia)