chromary

≈ Espresso

no CH number yet · claim this color and its own CH number

Your color as a brand: the primary, the secondary colors from the chosen scheme, lighter and darker versions for backgrounds and states, and the neutrals from night to paper through greys tinted with your hue. Copy it as CSS.

Kit · Your color as a brand.

Secondary

Secondary≈ Cyan Blue#32C1F7
SecondaryNavyCH 0078 · #1A2B3C

Tertiary

TertiaryWalnutCH 0094 · #773F1A
TertiaryAdobeCH 0175 · #876A61
TertiarySunburnCH 0182 · #B39888
TertiarySherbetCH 0190 · #E7C6B3

Neutrals

NeutralCharcoalCH 0560 · #121212
NeutralIronCH 0562 · #383838
NeutralMushroomCH 0572 · #877F73
NeutralPebbleCH 0567 · #ABABAB
NeutralChalkCH 0013 · #F4F4F0
claim its number≈ EspressoAn unnamed color. Its nearest named color is Espresso #4B2E2B.chromary

Color Values

Exact from the hex. Tap any value to copy it.

HarmoniesWays to pair this color with others by where they sit on the color wheel: its opposite, shapes of two to four colors spaced around the wheel, its neighbors on either side, then the same hue lighter, darker, warmer, cooler and quieter. Each strip leads with this color. Tap one to open its kit built that way.

How It Reads#4A230B set as type with the kit Chromary builds for it, both ways round, strongest first. Each is graded by APCA, the measure of how strongly text stands off its ground as eyes see it: Any text and Body text read at every size, Headlines and large text from about 24 pixels, Display sizes for names, logos and big headlines. Pairings too faint for text, or that collapse for red- or green-blind readers, are left out. The small numbers are the APCA score (Lc), then the WCAG 2 ratio and its verdict (AAA from 7 to 1, AA from 4.5, AA large from 3), for anyone working to that standard. The two can disagree on mid tones: APCA favors white text on saturated greens and oranges, where WCAG 2 favors black.

Chalk on #4A230B#4A230BSet in Chalk on #4A230B, a line of text reads cleanly at this size.
Any textLc 95 · 12.3:1 WCAG AAA
#4A230B on Chalk#4A230BSet in #4A230B on Chalk, a line of text reads cleanly at this size.
Any textLc 93 · 12.3:1 WCAG AAA
Sherbet on #4A230B#4A230BSet in Sherbet on #4A230B, a line of text reads cleanly at this size.
Body textLc 71 · 8.5:1 WCAG AAA
#4A230B on Sherbet#4A230BSet in #4A230B on Sherbet, a line of text reads cleanly at this size.
Body textLc 70 · 8.5:1 WCAG AAA
#4A230B on Cyan Blue#4A230BSet in #4A230B on Cyan Blue, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.5:1 WCAG AA
Cyan Blue on #4A230B#4A230BSet in Cyan Blue on #4A230B, a line of text reads cleanly at this size.
Headlines and large textLc 57 · 6.5:1 WCAG AA

For every eye: Chalk on #4A230BThe strongest pairing above, as people with color blindness see it. About 1 in 12 men and 1 in 200 women are color blind, most of them red-blind or green-blind, so reds and greens can look alike to them; blue-blind and no-color vision are rare. Each tile simulates the strongest form of one type (after Machado, Oliveira and Fernandes, 2009); most people who have it see a milder version. If Chalk still stands clearly off #4A230B in all four, the pairing reads for everyone.

#4A230B
Red-blind (protanopia)
#4A230B
Green-blind (deuteranopia)
#4A230B
Blue-blind (tritanopia)
#4A230B
No color (achromatopsia)